Publications

Publications

Books & Chapters

1. "Nancy Lee Harper" in Great Pianists and Pedagogues by Carola Grindea (2007). London: Kahn & Averill, pp. 278-287. ISBN 978-187-2876.

2. Manuel de Falla (2005) Oxford, UK: Scarecrow Press, ISBN 0-8108-5417-1, 544 pp.

3. Manuel de Falla: a Bio-Bibliography (1998) Westport, Conn., London: Greenwood Press (EUA) ISBN 0-313-30292-8; ISSN 0742-6968, nº 68, 288 pp.

4. Portuguese Piano Music: An Introduction and Annotated Bibliography, book and CD (Scarecrow Press, EUA, forthcoming).

5. “Baroque Fingering: What Can Contemporary Pianists Learn?” in The Pianist’s Guide to Fingering by Joseph Banowetz, Indiana University Press (forthcoming).

6. “Beethoven Piano Sonatas: From Fortepiano to Harmonic Pedal" with T. Henriques in La Musique et ses Instruments edited by M. Castellengo / H. Genevois, Editions-Delatour, France (forthcoming).

Studies & Conference Proceedings

1. Actas do 1º Congresso da EPTA-Portugal (2001) Universidade de Aveiro e EPTA-Portugal, ver. de Nancy Lee Harper, Francisco Monteiro, Sofia Lourenço, 104 pág, ISBN 972-789-029-6.

2. Actas do 1º Colóquio ‘PerforMED’, Festivais de Outono, 17 e 25 de Outubro de 2005, Universidade de Aveiro, rev. de Nancy Lee Harper e António Salgado (2007) FJJM/UA ISBN 978-972-789-2297.

3. Estudos Celebrando os Grandes Pianistas/Celebrating the Great Pianists, Série no. 1. “Paderewski e a Tradição do Conservatório de S. Petersburgo/ Paderewski and the St. Petersburg Conservatory Tradition” (edição bilingue, Abril de 2003), ISBN-789-089-X, 143 páginas.

Editions

1. dhamara agni de Rui Penha, 1º Prémio do Concurso Nacional "Jorge Peixinho" do Festival Internacional de Piano "Celebrando Grandes Pianistas" 2003, Série Partituras, nº. 1. ISBN 972-789-094-6.

2. O reino dos animais, Canções populares portuguesas, arranjos de Wendy Hiscocks. Festival Internacional de Piano "Celebrando Grandes Pianistas", 2004, Série Partituras, nº 2, ISBN 972-789-129-2.

3. 5 aforismos para piano e sopros de Eurico Carrapatoso, edição dos Festivais de Outono, co-directora artística. ISBN 972-789.

Articles

1. “Brain, Heart, Society: The Changing Role of the Piano in the 21st Century. Communication, 33rd EPTA conference, Lucerne, Switzerland. 11-13 November 2011.
2. “VitalGesture: The EKG of Musical Gesture in two case studies”, with F. Facchini. 2º Forum Intinerários Musicais, Lisbon, Centro Cultural de Belém, 28-30 Oct. 2011 (at press).
3. “Two Neopolitan Keyboard Composers in Lisbon: David Perez (1711-1778) and Domenico Scarlatti (1685-1757), communication, International Symposium David Perez, Museu de Aveiro, 21-22 October 2011 (at press(
4. “Slow Down and Learn”: Pianists and Memory, communication presented with T. Henriques, A. Pereira, et al International Symposium for Performance Science, Toronto, Canada, 24-28 August 2011, published at http://www.legacyweb.rcm.ac.uk/ISPS/ISPS2011/Proceedings, Proceedings of the International Symposium on Performance Science 2011, edited by Aaron Williamon, Darryl Edwards, and Lee Bartel, published by the European Association of Conservatoires (AEC), Utrecht, The Netherlands. ISBN 9789490306021. pp. 681-686.
5. “Anxiety and personality features in pianists: a psycho-physiological assessment” communication with A. Pereira, I. Direito, 12th European Psychology Congress, Istanbul, Turkey, 4 July 2011.
6. “Anxiety in Pianists” communication with A. Pereira, I. Direito, 32nd Stress and Anxiety Research Conference (STAR), Munster, Germany, July 2011.
7. “Portugal’s Forgotten 19th Century: The Emergence of Female Composers”, communication at 1st International Historical Keyboard Conference, Edinburgh, Scotland, 1-3 July 2011 (at press).
8. “Superlearning™ Techniques for music memorization: A Case study with pianists”, with T. Henriques, a. Pereira, L. S. Miranda, I. Direito, F. Tavares, M. J. Soares, communication given at Performa ’11, Universidade de Aveiro, 19-21 May 2011.
9. “Lisztmania em Portugal> Rumores nortenhos”, communication in PortoRomântico Conference, U. Católica, Porto, 28-29 April 2011 (at press).
10. “Mind, Tension and Music Medicine Therapy”, Webinar for 3rd Health Seminar, Kingston, Jamacia, at http://www2.cemed.ua.pt/video/nancy, April 2011.
11. “Sherry and Caviar: Tantalizing Spanish and Soviet Repertoire” with N. Franke, C. Flamm in “European Piano Teachers’ Forum” in Piano Journal (Issue 95 2011) pp.
12. Music Review of Romantic Piano Anthology, vols. 1, 2, 3, 4 (with CDs), ed. N. Frnake, Schott, in Piano Journal (Issue 95 2011) pp.
13. “VitalJacket®, A Mobile, Continuous ECG-Wave Tool” in Researcher-s Armchair in Tension in Performance – The ISSTIP Journal, Spring 2011, ISSN 2042-6895, pp 35-36.
14. Book Review: Psychology for Musicians, Understanding and Acquiring the Skills by Lehmann, Sloboda, Woody (OUP) in Tension in Performance – The ISSTIP Journal, Spring 2011, ISSN 2042-6895, pp 37.
15. Editorial in Tension in Performance – The ISSTIP Journal, Spring 2011, ISSN 2042-6895, p. 2.
16. “Assessing Piano Performance: Challenges and Champions” with A. Roque Cardoso in European Piano Teachers’ Forum in Piano Journal (Issue 94 2011), pp.
17. Music Review of several FJH publications including Helen Marlais’ Succeeding at the Piano, A Method for Everyone, Teacher-s Guide for Preparatory and Grade 1 in Piano Journal (Issue 94 2011) pp.
18. CD Reviews of MÉLOMANIE, FLORESCENCE, 2011 MM 11016 and SOLIOQUY, double CD, M2M11017, www.meyer-media.com in Piano Journal (Issue 94 2011) pp.
19. “By the Young, For the Young” in “European Piano Teachers’ Forum” with A. Chan in Piano Journal (Issue 93 2011), pp. 25-31.
20. CD Review Brahms Piano Sonatas 1 & 2, Kevin Robert Orr, Meyer Music MM 10015 in Piano Journal (Issue 93 2011), p. 36.
21. CD Review Great Short Masterpieces for Piano, Michal Tal Romeo Records 7278/9 in Piano Journal (Issue 93 2011), p. 36.
22. “The Piano Concerto in Portugal: A Brief Overview / O Concerto para piano em Portugal: Um Panorama” in Hoadie Música(2010), vol. 1, nº 1, ISSN 1676-3939; pp. 11-20.
23. “Fernando Laires” in Enciclopédia da Música em Portugal no Século XX (2010) Círculo de Leitores, ed. Salwa Castelo-Branco, vol. C-L, pp. 683-684.
24. “Pedro Rocha in in Enciclopédia da Música em Portugal no Século XX (2010) Círculo de Leitores, ed. Salwa Castelo-Branco, vol. P-Z, p. 1127.
25. “António Chagas Rosa" in Enciclopédia da Música em Portugal no Século XX (2010), Círculo de Leitores, ed. Salwa Castelo-Branco, vol. P-Z, pp. 1146-1147.
26. “Vianna da Motta” (crítica da Balada gravada em CD) in Centro Nacional da Cultura, www.cnc.pt.
27. “Fernando Lopes-Graça” (crítica da 2ª Sonata gravada em CD) in Centro Nacional da Cultura, www.cnc.pt.
28. “António Fragoso” (crítica do Nocturno em Réb M gravado em CD) in Centro Nacional da Cultura, www.cnc.pt.
29. “João Pedro Oliveira” (crítica da obra Pirâmides de cristal gravada em CD) in Centro Nacional da Cultura, www.cnc.pt.
30. “Luís de Freitas Brando” (critica dos Prelúdios gravado em CD) in Centro Nacional da Cultura, www.cnc.pt.
31. “Teaching Piano in a Global Village” in “European Piano Teachers’ Forum in Piano Journal, Vol. 30, Issue 90 (Spring 2010), pp. 35-42.
32. Obituary of Alicia de Larrocha in Piano Journal, Vol. 30, Issue 90 (Spring 2010), p. 53.
33. Obituary of Earl Wild in Piano Journal, Vol. 30, Issue 90 (Spring 2010), p. 54.
34. “ISSTIP Around the World” in Tension in Performance – The ISSTIP Journal, vol. 1, nº 1 (Spring 2010), ISSN 2042-6895, pp. 33-39.
35. “Portuguese Piano Music: Notable Moments from the 18th Century until Today” (Abstract) & Paper in CD ROM, 5 pp.http://performa.web.ua.pt/. ISBN 978-972-789-209-7.
36. “Performing Proportion: Crux Awareness in Scarlatti Interpretation” with Tomás Henriques, ISPS 2009 Performing Excellence in International Symposium of Performance Science 2009, Auckland, New Zealand, European Association of Conservatories, Utrecht, Netherlands, edited by Aaron Williamon, Sharon Pretty, Ralph Buck,http://www.performancescience.org/ISPS/Proceedings. ISBN 978 94 90306 01 4, pp. 295-300.
37. “Beethoven Piano Sonatas: From Fortepiano to Harmonic Pedal” Abstract & Communication in 5th Conference on Interdisciplinary Musicology (CIM09). CIM & LAM Institut Jean le Rond d’Alembert, (Michèle Castellengo, Hughes Genevois, eds.) Société Française d’Acoustique, l’Université Pierre et Marie Curie, Paris, Oct. 2009.
38. “Change and Tradition” – European Piano Teachers’ Forum in Piano Journal (Autumn/Winter 2009), Vol. 29, nº 89, London, ISSN 0267 7253, pp. 31-37.
39. “The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier” by Row Howat – Book Review in Piano Journal(Autumn/Winter 2009), Vol. 29, nº 89, London, ISSN 0267 7253, pp. 45-47.
40. “Piano-Yoga” by GéNIA – Book Review in Piano Journal (Autumn/Winter 2009), Vol. 29, nº 89, London, ISSN 0267 7253, p. 47.
41. “QUINTessenz, eine praktische Harmonielehre basierend auf Improvisieren am Klavier, Hören, Spielen, Singen, Komponieren, mit CD“ – Book/CD Review in Piano Journal (Autumn/Winter 2009), Vol. 29, nº 89, London, ISSN 0267 7253, p. 47.
42. “American Popular Piano Series“ – Music Review in Piano Journal (Autumn/Winter 2009), Vol. 29, nº 89, London, ISSN 0267 7253, p. 40.
43. Alfred Masterwork Edition – Brahms“ – Music Review in Piano Journal (Autumn/Winter 2009), Vol. 29, nº 89, London, ISSN 0267 7253, pp. 42-43.
44. “Commemoration Concert de Nancy Lee Harper” – Programme Notes in Festivais de Outono 2009, pp. 71-72.
45. “Piano Showcase” – Music Review in Piano Journal Vol. 29, nº 88 (Summer 2009), London. ISSN 0267 7253, pp. 36-37.
46. “Sazas Concert” – CD Review in Piano Journal Vol. 29, nº 88 (Summer 2009). ISSN 0267 7253, p. 37.
47. “Russian Concertos” – CD Review in Piano Journal Vol. 29, nº 88 (Summer 2009). ISSN 0267 7253, p. 37.
48. “Classical Records CR 112” – CD Review in Piano Journal Vol. 29, nº 88 (Summer 2009). ISSN 0267 7253, pp. 37-38.
49. “Piano Concerti by Kaimierz, Serocki, Tadeusz Baird, John Krenz” in Piano Journal Vol. 29, nº 88 (Summer 2009). ISSN 0267 7253, p. 38.
50. “Interview with Carola Grindea” in Piano Journal, vol. 28 nº 85 (2008), Special EPTA 30th anniversary issue, ISSN 0267 7253, pp. 5-12.
51. “Music within our grasp: mirror neurons in music instrumental acquisition with special emphasis on piano performance” inISSTIP Journal, vol. 14 (Winter 2007) ISSN 1478-1204, pp. 4-8.
52. “Golden Section in the Scarlatti Sonatas” in www.performancescience.org, pp. 239-244.
53. “Performing Musical Structure: crux-phi relationships in Domenico Scarlatti’s Sonata K. 380 in Proceedings of CIM08 Conference with Tomás Henriques (Thessaloniki, Grécia, 2-6 de Julho de 2008), Abstract: pp. 80-81; Paper in CD ROM, available at http://cim08.web.auth.gr/cim08_papers/Harper-Henriques/Harper-Henriques.pdf.
54. “Carola Grindea and ISSTIP” in ISSTIP Journal, nº 15 (Autumn 2008), pp. 4-6.
55. “Functional Piano vs. Traditional Piano: an educational dilemma?” – Jose M. Parra and Nancy Lee Harper in Piano Journal,nº 86, pág. 21-25.
56. Translation of Program Notes by Mário Trilha for CD Musica para D. João VI e D. Carlota (2008) Númerica NUM 1165, pp. 5-7, 9, 11.
57. “RRodolfo Halffter: Homenaje a Antonio Machado, Para la tumba de Lenin, Una vez y otra, cantilena variada, Dos sonatas de El Escoria, Danza de Avila, Minué, Facetas, Três hojas de album, Secuencia, Laberinto in www.ufrgs.br/gppi.
58. Book Review - Piano Needn’t Be Lonely, 3rd ed. by Nádia Lasserson in Piano Journal, nº 86 (Winter 2008), p. 36.
59. Series Review American Popular Piano in Piano Journal, nº 86 (Winter 2008), dist. Schott, pp. 39-40.
60. Historical Report of EPTA-Portugal in Piano Journal, nº 86 (Winter 2008), pp. 47-48.
61. Series Review Baroque around the World, 6 vols. de Schott, em Piano Journal, nº 85, pp. 64-65.
62. Review of Music Edition “Preludes” vol. 1 & 2 by Dianne Goolkasian Rahbee em Piano Journal, nº 85, pp. 65-66.
63. CD Review The Portuguese Scarlatti de Jacqueline Ogeil em Piano Journal, nº 85, p. 70.
64. Website Review www.quartzmusic.com: em Piano Journal, nº 85, p. 71.
65. Book Review of Nadia Lasseron’s Piano Needn’t Be Lonely, 3rd ed. em Piano Journal, nº 86, p.36.
66. “Preparing for Performance without Inderal™ " (2007) in Proceedings of 1º Colóquio PerforMED, UA, FJJM, 17 & 25 October 2005, ISBN 978-972-789-2297, pp. 91-108.
67. Performa/UA Domenico Scarlatti’s “internal rhythm” in the trajectory of Manuel de Falla’s piano works (Abstract & paper e paper in CD ROM) – ISBN: 978-972-789-231-0.
68. “Golden Section in the Sonatas of Domenico Scarlatti: A re-examination of Kirkpatrick’s ‘crux’” in International Symposium for Performance Science 2007 (Nov. 22-23, Porto).
69. Book Review - The Pianist’s Talent – A New Approach to Piano Playing Based on the principles of F. Matthias Alexander and Raymond Thiberge by Harold Taylor in Piano Journal, nº 82 (Spring 2007), p. 40.
70. Book Review – Professional Piano Teaching – A Comprehensive Piano Pedagogy Textbook for Teaching Elementary-Level Students by Jeanine M. Jacobson in Piano Journal, nº 82 (Spring 2007), p. 39-40.
71. Review of Music Edition: 12 Inventions for Piano by Michael Sandelson in Piano Journal, nº 82 (Spring 2007), p. 43.
72. Review of Music Edition: The Sonatas & Sonatinas for Piano of Fernando Lopes-Graça (1906-1994), edited by Patrícia Lopes Bastos, in Piano Journal, nº 82 (Spring 2007), p. 44.
73. Review of Music Edition - Ben Misurato for piano by Stanko Horvat, Croatian Music Centre, in Piano Journal, nº 82 (Spring 2007), p. 44.
74. Review of Music Edition - Diabolezza for piano by Ivo Josipović, Croatian Composers Society, in Piano Journal, nº 82 (Spring 2007), p. 44-45.
75. Review of Music Edition - Dora Pejacevic (1885-1923), Piano Miniatures (ISBN ISMN M706701-24-0) and Piano Sonata in Ab major, op.57 (ISMN M-706701-26-4) in Piano Journal, nº 82 (Spring 2007), p. 45.
76. Review of CD - Muzio Clementi Fpr All Ages. Glaser, fortepiano, SIMAX Classics, PSC 1258, 2006. simax@grappa.no. inPiano Journal, nº 82 (Spring 2007), p. 49.
77. Review of CD: Rachmaninoff & Medtner, Duo-Piano Saida Kafarova & Désirée Paulsen Bakke, CENTAUR Records, 2006 inPiano Journal, nº 82 (Spring 2007), p. 48.
78. Review of CD: Sergei Ivanovich Taneyev, Piano Concerto in E Flat Major, Music for Solo Piano, Four Improvisations, The Composer’s Birthday, Joseph Banowetz, piano; Russian Philharmonic of Moscow, Thomas Sanderling, conductor; Vladimir Ashkenazy, narrator, and Adam Wodnicki, piano. TOCCATA CLASSICS TOCC 0042 in Piano Journal, nº 82 (Spring 2007), p. 47-48.
79. “Portuguese Piano Music: Teaching and Performing" (March 2007). Lecture-recital at CMT-RCM-MTNA Conference in Toronto.
80. Bi-lingual (Portuguese-English) Program Notes for CD Nancy Lee Harper, Música portuguesa para piano, vol. 2 (2007). Numérica, NUM 1147.
81. “Music within our Grasp: Mirror Neurons in Piano Performance" (Winter 2006) in ISSTIP Journal, nº 14, ISSN 1478-1204, pp. 4-8.
82. “A interpretação de Fantasia Baetica de Manuel de Falla" in Revista Música do Departamento de Comunicações e Arte, Univ. São Paulo, Brasil (2006), pág. 63-95, ISSN 0130-5525.
83. “Sacred Passions: The Life and Music of Manuel de Falla (review) in Music and Letters, Volume 87, Number 3, pp. 465-469 Oxford University Press.
84. “Saudades de Portugal: Fernando Laires” Flores Musicais, A Festchrift in Honor of Fernando Laires on his 80th Birthday, Journal of the American Liszt Society, Vol. LIV, LV, LVI (2003-2005) triple issue, edited by David Butler Cannata, pp. 8-23.
85. “Fernando Lopes-Graça, 1906-1994”, ILAMS (December, 2006), www.ilams.org.uk.
86. Book Review: Mastering the Art of Performance – A Primer for Musicians by Stewart Gordon; New York: Oxford University Press, 2006. ISBN 13 978-0-19-517743-5; ISBN 0-19-517743-6 in Piano Journal, 2006, nº 81, pp. 42-43.
87. Book Review: On Piano Teaching and Performing by Fanny Waterman, revised edition. London: Faber Music, 2006. ISBN 0-571-52519-9 in Piano Journal, 2006, nº 81, p. 43.
88. Edition Review: Liszt – 21 Selected Piano Works, CD Edition, edited by Joseph Banowetz, An Alfred Masterwork Edition, 2006, ISBN 0-7390-4345-5 in Piano Journal, 2006, nº 81, p. 46.
89. Edition Review: Anthology of Serbian Piano Music, Book One, Volume One, Book One, Volume Two, Book Two, Volume One, Book Two, Volume Two, Book Three. Serbian Composers Association in Piano Journal, 2006, nº 81, p. 47.
90. CD Review: Yundi Li – Vienna Recital, 2005, ISBN7-88047-323-8, CD 477 5571, in Piano Journal, 2006, nº 81, p.49.
91. CD Review: Ernest Toch – Concerto for Piano and Orchestra, nº 2, op. 38 (1926); Quintet for Piano and Strings, DOM 2929 7 (Talent Records – www.talentrecords.be), Diane Anderson, piano. Philharmoisches Staatsorchester Halle conducted by Hans Rotman; Danel Quartet. CD Review of Dianne Goolkasian Rahbee- Concerto for Piano and Orchestra, op. 134/Tango, op. 126/ Preludes, Op. 120, nº 3, op. 122, op. 123, op. 140, nº 1 & 2/ Rhapsodie “Uratu”, op. 80 for piano and orchestra/ Sonatan nº 4, op. 128/ Ballade nº1, op. 111/Ballade nº 2, op. 129 “Flashbacks of 9/11– www.recitalmedia.com. Diane Andersen, piano; Matav Hungarian Symphony Orchestra conducted by David Alexander Rahbee in Piano Journal, 2006, nº 81, p. 49.
92. “Ernesto Halffter’s Solo Piano Transcription of Manuel de Falla’s Siete canciones popularea españolas” in Piano Journal, nº 80, Summer 2006, pp.22-26.
93. “Style Matters: The Interpretation of Manuel de Falla’s Fantasía bætica", ESCOM Conference Proceedings, Porto, 14 - 17 September 2005 (conference presented on 15 Sept.) p. 99 (summary) e 12 pp. in CDROM. ISBN-972-8969-01-5.
94. “The Interpretation of Manuel de Falla’s Fantasía bætica", 9 de April – Nova Iorque - IBLA/WPTA (World Piano Teachers Association) Conference, see: www.ibla.com.
95. “Ernesto Halffter" - ILAMS Newsletter, London, June de 2005, pp. 3-5.
96. “DON’T WORRY, BE HAPPY! Peak Experience in Piano Performance (and not only!) - ISSTIP Journal, nº 13 (Autumn 2005), pp. 10-21.
97. “Domenico Scarlatti’s Internal Rhythm: The Performer’s Challenge" - Piano Journal, nº 77 (Summer 2005), pp. 16-18.
98. Music Review: Grande Fantasia, op. 4 by Balakierev, Warner Bros, Joseph Banowetz, piano, Piano Journal, nº 77 (Summer 2005), p. 28.
99. Music Review: Sonata para piano, nº 1 de Dianne Rahbee, Piano Journal, nº 77 (Summer 2005), pp. 28-29.
100. Music Review: Pianolle, in Piano Journal, nº 77 (Summer 2005), pp. 26.
101. CD Review - Sousa de Guedes (Spring 2005) - Piano Journal - EPTA, nº 76, p. 36.
102. Interview: " Who’s Who of Piano Pedagogues: Nancy Lee Harper talks to Carola Grindea" (Spring 2005) Piano Journal -EPTA, nº 76, pp. 6-9.
103. “Manuel de Falla’s Fantasía baetica: An Introduction & Masterclass" - Piano Journal, vol. 24, nº 75 (Winter 2004), pp. 16-23.
104. “Music Teacher Training in Portugal", ed. Ninja Kors, European Community project (ECMET, 2004).
105. Edition Review: Sergei Rachmaninoff Piano Works, ed. Joseph Banowetz, Warner Brothers ELM00047CD in Piano Journal, no. 74 (Summer 2004), p. 31.
106. Edition Review: Selected Works of Gian-Carlo Menotti, ed. Gail Lew, Warner Brothers ELM03005 in Piano Journal, no. 74 (Summer 2004), p. 27.
107. Book/CDRom Review: Practical Piano Pedagogy de Martha Baker-Jordan, Warner Brothers ELM03004, CD ROM #5593 inPiano Journal, no. 74 (Summer 2004), p. 18-19.
108. Program Notes: József Soproni Note Pages for Piano, Sonata, no. 14., pianist Mariann Ábrahám, translation by Nigel Heavey ed: Hungaraton HCD 32310 (2004).
109. Music Reviews: Carmelo A. Bernaola: Piezas caprichosas [para] orquesta, ¡Imita! Imita, que algo queda: Preludio para clarinete y orquesta, Homenaje G. P. para grupo instrumental [flauta, clarinete, piano, violín, violoncello], Complutum [para]orquesta; e de Francisco Escudero: IV sinfonía: Concertante, Concierto para violín y orquesta, Concierto para piano y orquesta (Homenaje a Manuel de Falla) in MLA Notes (Brandeis University), September, 2003, pp. 285-290.
110. Music Review: First Impressions by Elvina Pearce in Piano Journal, nº 72, November, 2003, p. 32.
111. Music Review: Franz Schubert Piano Works, ed. Joseph Banowetz in Piano Journal, nº 72, November, 2003, p. 33.
112. Music Review: Fitzjohn Music publications in Piano Journal, nº 72, November, 2003, p. 33.
113. Music Review: Dilecto Musicale in Piano Journal, nº 72, November, 2003, p. 35.
114. Music Review: The Music Tree, new edition, in Piano Journal, Autumn, 2003, p. 33.
115. Music Review: Weihnachtsbaum by Franz Liszt, in Piano Journal, Autumn, 2003, p. 34-35.
116. Music Review: Piano Concerto, no. 1 by Keith Emerson, in Piano Journal, Autumn, 2003, p. 36.
117. “Fantasy in Children’s Piano Technique”, Piano Forum in Piano Journal, nº 71, Autumn, 2003, pp. 29-30.
118. Book Review: Manuel de Falla and Modernism in Spain, 1898-1936 by Carol A.Hess in Oxford University Press’s Music & Letters, vol. 84, no. 2, May 2003, pp. 322-324.
119. “Brief Overview of Portuguese Music (1450-Present)", ILAMS (Ibero & Latin American Music Society) Newsletter, 2003, pp. 2-4.
120. Letter to the Editor in Piano Journal, nº 69 ( Winter 2002) p.46.
121. EPTA-Slovenia- Bilten, Part 1, “Iberian Elements in the Scarlatti Sonatas” (bilíngue) Iberijski elemnti v Scarlattijevih sonatah, June, 2002, pp. 32-35.
122. EPTA-Slovenia- Bilten, Part 2 “Iberian Elements in the Scarlatti Sonatas” (bilíngue) Iberijski elemnti v Scarlattijevih sonatah, Dez. 2002, pp. 57-64.
123. “Fernando Laires: lenda pianística portuguesa" in ComunicArte, no. 2 (Setembro 2002), pp. 118-121.
124. “The Iberian Elements in the Scarlatti Sonatas", EPTA Journal, no. 67, Feb. 2002, p. 15-22.
125. “The Iberian Elements in the Scarlatti Sonatas” (húngaro) – Parlando, (2002.1.Szám), 30-51.
126. “Chopin and the French School of Pianism", program book, 3rd Festival Internacional de Piano "Celebrando Grandes Pianistas", July 2002, pp. 5-7.
127. “Liszt em Portugal” – Revista ComunicArte, (Dezembro de 2001), pp.46-50.
128. “Liszt Portugáliában” – Parlando (Hungria), March 2001, pp. 34-38.
129. “Liszt in Portugal/Liszt na Portugalskem” – Bilten 3 (Slovenia), December 2001, pp. 41-45.
130. Edition Review: Liszt, Albumblätter für Prinzessin Marie von Sayn-Wittgenstein. in MLA Notes (Brandeis University, USA), March-April 2001, p. 763.
131. Edition Review: New works by Cristóbal and Ernesto Halffter in MLA Notes (Brandeis University, USA) March-April 2001, pp. 754-756.
132. “Liszt in Portugal: A Question of His Concerts" in Journal of the American Liszt Society, vol. L/Autumn 2001, p. 18-25.
133. Program Notes (1999, bilingual) for the CD Nancy Lee Harper, Numérica 1096.
134. “Contemporary Iberian Piano Music” (in Ukrainian language) Journal of EPTA-Ukraine, 1999, pp. 107-113.
135. “Rodolfo Halffter and the Superposiciones de Manuel de Falla” in ex tempore (Summer 1996), pp. 59-91.
136. “The Definitive Solution is Surgery – Healing Alternatives for Musicians” in The American Music Teacher (April/May 1995), pp. 7-11.
137. “Ralph Berkowitz - He’s Worn Many Hats” in Piano Quarterly, no. 153 (Spring 1991), pp. 43-48.
138. “Alberto Dominguez” in Latin American Classical Composer. A Biographical Dictionary, compiled and edited by Miguel Ficher et al, Scarecrow Press, 1996, p. 98.
139. “Arno Fuchs” in Latin American Classical Composer. A Biographical Dictionary, compiled and edited by Miguel Ficher et al, Scarecrow Press, 1996, p. 125.
140. “Vicente Teódulo Mendoza Gutiérrez in Latin American Classical Composer. A Biographical Dictionary, compiled and edited by Miguel Ficher et al, Scarecrow Press, 1996, p. 226.
141. “María Teresa Prieto y Fernández de la Llana” in Latin American Classical Composer. A Biographical Dictionary, compiled and edited by Miguel Ficher et al, Scarecrow Press, 1996, p. 279.
142. “Mario Ruíz Armengol” in Latin American Classical Composer. A Biographical Dictionary, compiled and edited by Miguel Ficher et al, Scarecrow Press, 1996, p. 303.
143. “Rodolfo Halffter y las Superposiciones de Manuel de Falla” – Casa de Veláquez de Madrid, communication given in 1995.
144. “Music: A Force for Integration in Science, Mysticism, Poetics, and Conscience the 21st Century”, Jornal do Instituto Piaget, Lisboa, 1994.
145. “Música portuguesa contemporânea para piano: uma selecção" – Actas da EPTA-Portugal (2001), 91-94.
146. Program notes: “As múltiplas facetas do classicismo no piano”, recital by Nancy Lee Harper in 1º Festival de Música da Universidade de Aveiro (Maio de 1997).
147. Program notes: “Manuel de Falla, Inovador Ibérico” para o programa de estreia absoluta de El retablo de Maese Pedro, INATEL, Estúdio Workshop de DeCA (April, 1997).
148. Program notes: “O mundo pianístico de Manuel de Falla” – for the 50th anniversary of Falla’s demise (concerts presented in 6 cities in Portugal and in Madeira) 1996-1997.
149. Guião para o ensino de Música de Camâra, compilation of essays, UA, 1996.
150. Electronic Bulletin for EPTA-Portugal (4 issues) www.eptaportugal.tripod.com, with José Parra and Otilia Sá, 2004, 2005.

Reports (as required by Portuguese Law)

1. Lição sobre a Disciplina de Piano no Mestrado em Música, UA, (report in partial requirement for Aggregation), 2003.

2. A Interpretação da Fantasia bætica de Manuel de Falla, UA, 2003.

3. A Disciplina da Área Específica V, (report in partial requirement for Associate Professor) UA, 2000.

4. Report in partial requirement for tenure (Relatório de Nomeação Definitiva), UA, 1999.

5. Recognition of doctorate, DMA thesis The Piano Sonatas of Rodolfo Halffter: Transformation or New Techniques? U. Minho, 1994.

Research Projects and Supervisions

Projects

1. Edição crítica da música portuguesa dos séculos XVIII a XX (CESEM, Universidade Nova de Lisboa).

2. Musicologia na Internet (CESEM, Universidade Nova de Lisboa).

3. Music Medicine: Peak Experience in Piano Performance; Overcoming StageFright: Preparing for Performance; Mirror Neurons and Piano Performance (ISSTIP, London; UnICA, UA).

4. Manuel de Falla (UnICA, UA; Sorbonne, Paris; University of Melbourne, Australia; University of Wales, U.K.).

5. Portuguese Piano Music (UnICA, UA; CESEM, U. Lisboa).

6. Domenico Scarlatti (UnICA, UA).

7. Pianists & Memory (UA, DeCA)

Post-Doctor

1. Supervision of pioneer Post-Doctoral project Investigando os efeitos das hormonas em menopausa na voz feminina with Filipa Lã, main investigator, Universidade de Aveiro, and Prof. Doutor João Luís Silva Carvalho, Faculdade de Medicina, Universidade do Porto, financed by Portuguese Foundation for Science and Technology, 2005-2010.

2. Espólio de flautas transversais fabricada em Portugal nos séculos XVIII e XIX by Alexandre Andrade, cosupervision with Evgueni Zoudilkine, financed by Portuguese Foundation for Science and Technology, 2011.

Ph.D theses

1. El “Solo for Piano” de John Cage según la primera realización de David Tudor of Nicasio Gradaille Peña, Universidad de Vigo, Departamento de Didáctica Especiales, Cosupervision with Mercedes Suárez Pazos, Pedro Membiela Iglesia, defendido no dia 13 July 2011 Excelente con laude.

2. Piano e Funcionalidade: Proposta para um Modelo Generativo of José Parra, with Daniela Coimbra cosupervisor, defended on 23 November 2011.

3. Teoria e Prática do Baixo contínuo em Portugal (1735’1820) by Mário Marques Trilha Neto, cosupervision with João Pedro d’Alvarenga, 17 June 2011.

4. As Sonatas para Piano de Fernando Lopes-Graça of Patrícia Lopes Bastos (dissertation + CdRom and 4 vol. Critical edition). Defended in January, 2007.

5. A Presença da Flauta Traverso em Portugal de 1750 a 1850 of Alexandre Andrade, co-supervision with Prof. Doutor Gerhard Doderer, Universidade Nova de Lisboa. Defended in July, 2005.

6. Historial Pedagógica e Inovações de Vanguarda no Ensino de Piano of Maria de Lurdes Sousa Alvares Ribeiro Defended in June, 2002.

7. A idionomia pianística da obra de Domenico Scarlatti: estudos a partir de "Essercizi per gravicembalo (1738), "Manuscrito no. 58 de Coimbra" e Manuscrito F. C. R. 194.1 de Portugal" of Patrizia Giliberti, co-supervision with Prof. Doutor Gerhard Doderer, Universidade Nova de Lisboa (not completed).

8. Helena Sá e Costa: o binómio mestre-aluno de Rui Pintão, co-supervision with Prof. Doutor Mário Vieira de Carvalho, Universidade Nova de Lisboa (not completed).

9. A Gestão do Silêncio: Um olhar interpretativo em obras contemporâneos para oboé solo of José Oliveira e Silva (in progress).

10. Nacionalismos pianísticos em Rio de Janeiro na década de 1930s by Patrícia Francis Abdalla (in progress).

11. A sinergia de ensemble: um estudo multidisciplinar by Fiammetta Facchini (in progress).

Masters’ Dissertations (Thesis and Recital)

1. A análise como estratégia de memorização musical para crianças by Margarida Maria Pinto Machado MMEV – 9 Dez. 2011 17 valores.

2. A Iniciação ao Piano em Portugal: estudo comparativo by Raquel Beatriz de Lima Machado– MMEV, 30 Nov.2011. 18 valores.

3. O impacto do Ensino Articulado para Piano no Ensino especializado iby Marina de Sousa Pereira – MMEV – 30 Nov. 2011. 18 valores.

4. Liberdade interpretativa nas invenções de J. S. Bach no piano by Irene Trabulo Fernandes, recital and thesis – MM – 9 Dez. 2011. 16 valores.

5. A influência de Bach em Chopin: reflexos na prática interpretativa by Jorge Miguel Figueiredo Sarabando Moreira, recital / thesis– MM – 9 Dez. 2011. 15 valores.

6. Tempo musical na interpretação de Prelúdes II de Claude Debussy by Catarina Isabel Brás Serra de Almeida Fortunato – MM – 9 Dez. 2011. 18 valores.

7. Aulas de piano em grupo na iniciação: um património musical renovado. Sofia Sarmento Ribeiro Braga – defendido no dia 4 July 2011. 18 valores.

8. Pianando: Estudo metodológico de Iniciação ao piano em Portugal. Sónia Almeida – defendido no dia 4 July. 18 valores.

9. Experimentar e interagir: Ferramentas motivacionais para crianças na Introdução ao violino. Joana Soares Gonçalves. 6 Dec. 2010. 17 valores.

10. Um piano Stein ou Steinway: Estudo interpretativo do Concerto em Mib maior, K. 271 de Mozart. Nuno Caçote, 6 Dec. 2010. 16 valores.

11. Bach/Javiorsky: teoria artística-religiosa na interpretação do Cravo Bem temperado. Klara Pankoych Dolnay. 6 Dec. 2010. 14 valores.

12. Um pouco sobre o pedal. Uma abordagem geral ao pedal e a sua implementação no ensino do piano. Eugénia Vladimirovna Chvets. 13 July 2010. 17 valores.

13. Carnavalando. Seminário e Recital. Catarina Fortunato. 14 July 2010. 17 valores.

14. Respirando em conjunto. Ana José Carrolo. 5 July. 15 valores.

15. Suzuki em Portugal. 3 estudos de caso do ensino de violino. Ludovico Afonso. 5 July 2010. 17 valores.

16. As canções de Filipe de Sousa of José Manuel Brandão, co-supervision with Prof. Doutor António Chagas Rosa. Defended in 2008.

17. AAs dedilhações na obra guitarrística de Francisco Torroba of Francisco Gomes, co-supervision with Prof. Doutor Paulo Vaz de Carvalho. Defended in 2007.

18. A música de flauta de Laszlo Lathja of Pérola Martíns, co-supervision with Prof. Doutor István Matuz, Universidade de Debrecen, na Hungria. Defended 31 January 2005.

19. A interpretação da música japonesa para marimba de Mário Teixeira. Defended, 31 January 2005.

20. A música de câmara nos conservatórios em Portugal de 1990 até o presente of Eduardo Resende, co-supervision with Prof. Doutora Graça Mota, Faculdade de Letras, U. Porto. Defended in 2004.

21. A interpretação do ‘Concierto para guitarra e petit orchestre’ de Heitor Villa-Lobos of Rui Gama (not completed).

22. Dedilhações Pianísticas: Evolutivas ou Estilísticas? (Obras de Bach, Mendelssohn, Ravel and Shostakovich) of Patrícia Ventura (not completed).

23. As obras para trompa de António Victorino d’Almeida of João Carlos Alves (not completed).

24. Educação musical aos deficientes: 3 estudos de caso of Márcia Cunha, co-supervision with Jorge Correia (in progress).

Other Theses and Recital Projects

1. Masters Piano Recital, Rui Vieigas, 2011.

2. Masters Piano Recital, Raquel Machado, 2010.

3. Senior Piano Recital, Raquel Machado, 2009.

4. Senior Piano Recital “20th-Century Spanish Piano Music” of Mónica Rocha, Piano, 2006.

5. Senior Piano Recital “Works of Brahms and Prokofiev” of Rui Daniel da Silva, 2004.

6. Senior Piano Recital “Works of Schumann, Bach, Eric Sweeney, and others” of André Brito, 2003.

7. Senior Piano Recital “Works of Bach, Ravel, and others” of Inês Lamêla, Piano, 2002.

8. Senior Piano Recital “Works of Bach, Beethoven, Chopin, and others” of Sérgio Freitas, 2001.

9. Senior Piano/Chamber Music Recital “Works of Beethoven” of Sandra Caleiro, Piano, 2000.

10. Ensino de Piano em Portugal: Estudo comparativa of Isabel Patrícia Sousa, 2003.

11. Manual de harmonia ao teclado (2 vols.) of Inês Lamela, André Brito & Catarina Peixinho, 2003.

12. Manual de Teoria e Formação Musical of Sonia Fidalgo, 2003.

13. Manual de iniciação de trompete of Luís Calahans & Nuno Graça, 2003.

14. A Comunicação e a Expressão dos Sentimentos através da Educação Musical: Experiência de Intervenção numa Escolaof Alexandra Carmelita Ribeiro Fernandes, DESE em Expressões Artísticas na Universidade do Minho, 1995.

15. As Canções Tradicionais Portuguesas e O Seu Valor Pedagógico: Contribuição da Metodologia de Zoltán Kodály of Rosa Maria Torres (1994), DESE na Educação Musical na Universidade do Minho; published as: As Canções Tradicionais Portuguesas no Ensino da Música - Contribuição da Metodologia de Zoltán Kodály, Lisboa, Editora Caminho, 1998.

16. As Canções Populares de Macieira-Barcelos e A Sua Possível Aplicação na Educação Musical no 2º Ciclo do Ensino Básico of David Oliveira, DESE na Educação Musical na Universidade do Minho, 1994.

17. Optimismo Educativo em Educação Musical, Modificabilidade Cognitiva/Orff-Schulwerk of Maria José Fuíza Baptista de Matos, DESE na Educação Musical na Universidade do Minho, 1994.

18. Ensinar a Aprender, Aprender a Ensinar of Maria do Céu Vasconcelos, DESE na Educação Musical na Universidade do Minho, 1994.

19. Educando a Voz of Hannelore Fischer Cruz, DESE na Educação Musical na Universidade do Minho, 1994.

20. Explorar a Música na Educação: Mozart, O Menino Prodígio (de 1756 a 1770) of Luísa Bragança, DESE na Educação Musical na Universidade do Minho, 1994.